When a lawyer shows up at the vampire's doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Professor Van Helsing, who may be the only one able to vanquish the Count.
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Leslie Nielsen
Count Dracula
Mel Brooks
Prof. Abraham Van Helsing
Amy Yasbeck
Mina Seward
Peter MacNicol
Thomas Renfield
Lysette Anthony
Lucy Westenra
Harvey Korman
Dr. Jack Seward
Steven Weber
Jonathan Harker
Mark Blankfield
Martin
Megan Cavanagh
Essie
Gregg Binkley
Woodbridge
Director
Mel Brooks
Screenplay
Steve Haberman
Tagline
"You'll laugh until you die...then you'll rise from the dead and laugh again!"
Status
Released
Original Language
EN
Budget
$30,000,000
Revenue
$10,772,144
Production
Castle Rock Entertainment, Brooksfilms, Gaumont
talisencrw
September 28, 2016
Most probably my least favourite film, both of Mel Brooks (though I haven't seen 'Life Stinks' yet) and of Leslie Nielsen (though I refuse to watch any other of the post-'Airplane' and 'Naked Gun' knockoffs he's made over the years since), but it still doesn't deserve all the hate. It's STILL at least 50,000 times funnier than Lena Dunham's 'Tiny Furniture' (or about 70% of the so-called contempor...
Filipe Manuel Neto
August 14, 2022
**Nielsen has done better, but this movie is good enough to be enjoyable and mildly funny.** This comedy, starring Leslie Nielsen and intelligently directed by Mel Brooks, is truly good. It is a parody of old horror movies, in which Dracula is an aristocratic undead who lives off the blood of unsuspecting humans. The film is more directly inspired by the old productions of Hammer Studios and Fr...
Wuchak
March 21, 2023
**_Amusing parody of Dracula with Leslie Nielsen, Mel Brooks and Harvey Korman_** “Dracula: Dead and Loving It” (1995) is a Mel Brooks spoof of the Dracula story with the same fun style and goofy humor of “Young Frankenstein” (1974) and “Spaceballs” (1987). Unlike "Love at First Bite" (1979) with George Hamilton, the story doesn’t take place in the modern day, but is basically a silly redo of t...
Sierbahnn
June 16, 2026
Mel in top form Mel can get misses, but this is him at his peak. The movie gets hold of the source material, injects the whimsy of Mel, and then pours on Leslie on top to make the best vampire-sundae you can imagine. The lines are flying, the absurdity seems logical within context, and noone is slacking. The effect-work, something which was never the focus, is also working well for what it is ...
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