The Irishman

It would almost be wrong to call ‘The Irishman’ a film; rather, it acts more like a tapestry. This isn’t telling one story, but a number of stories spanning decades that just so happen to involve the same group of dangerous gangsters, sharing the same threads of beautiful cinematography, great visual effects and patient editing. With his increasingly lengthy run times, Scorsese seems to be realisi...

**_Far too long, but arguably Scorsese's most thematically complex_** >_Don't let any man into your cab, your home, or your heart, unless he's a friend of labour._ - Jimmy Hoffa >_When Jimmy saw that the house was empty, that nobody came out of any of the rooms to greet him, he knew right away what it was. If Jimmy had taken his piece with him he would have gone for it. Jimmy was a fighte...

This being nominated for SAG's "Best Acting Ensemble" is basically like when _Bohemian Rhapsody_ won "Best Editing" at the Oscars. This uh... This movie's better though. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

It might not be Martin Scorsese’s best film yet, but it’s one more proof that he’s one of the most talented filmmakers ever. With Robert De Niro delivering his best performance of the decade, Al Pacino going crazy and Joe Pesci brilliantly coming out of retirement, The Irishman is a wonderfully-written, (very) long story about friendship and life. The best editing (Thelma Schoonmaker) of the year ...

Wanted to love this but there were moments where I sort of lost interest. And while I don't at all mind lengthy movies (Godfather Part II and Apocalypse Now are two of my favorite movies), this one was probably a good 20-minutes too long IMO. That said, nice to see De Niro at least trying to act rather than sleepwalk through a role and seeing Joe Pesci was great. Pacino however I never 100% bought...